The line to get into Keane snaked around the block of the 9:30 club, eager fans waiting single file with a brick wall to their right and two idling tour buses on their left. As my date and I walked by on our way towards the end of the line, we choked on the heat of the buses being trapped by the brick wall, creating what felt like a giant convection oven.
“Let’s walk a little,” I said, and got a big “YES!” in return. We didn’t even need to discuss and agree that standing there in line was a bad move, and we just kept on walking. We continued on just another block up to Howard University Hospital where we planted ourselves on a stone bench in the courtyard and chatted there for an hour. Shortly after 8, we mosied back over to the club and walked right in. No line, no hot and stinky tour bus fumes.
We’re too old to be fanatics… who cares if we see Keane from the front of the crowd or the back of the club. As long as we can hear them, I’m happy. And as a veteran 9:30 clubgoer, I know there’s not a bad “seat” in the house for that. But I do remember the days when I just absolutely had to be up in the front at every show.
If it was a general admission venue, I’d endure the mosh pits and the drunken crowds, elbows coming at me and sweaty bodies pressing up against mine. If it was an assigned seating show, I’d be desperate to get the absolute best seats that my money could buy. I was hooked after my first rock concert when for my 14th birthday, a few friends and I went up to SUNY Stonybrook to see Love and Rockets. Jane’s Addiction opened for them that night but we didn’t “know” them yet, and we wouldn’t hear of them again until WLIR started airing Jane Says.
My friends and I started going to all the “new wave” concerts. On that first day every spring, when Jones Beach Ampitheater would put their tickets on sale for the season, someone’s mom would drop us all off at the Sunrise Mall to wait in the Ticketmaster line, or we’d wake up Saturday morning and dial like mad as soon as the lines opened up at 10am. Defeated by busy signals for hours straight, panicking at the thought that I might not snag those Cure tickets which of course meant I might never marry my true love Robert Smith… I always got tickets eventually. Depeche Mode, The Cure, PIL, Howard Jones, Smithereens, Erasure, and countless other 80’s alternative pop bands.
Over the years I have appreciated just about every genre of music. If it’s live I love it. I save my ticket stubs and tuck them into my CD cases. My CD wallet is a scrapbook of sorts. I can flip through and remember that Widespread Panic show at Merriweather when a powerful cool breeze blew through at the exact moment that one jam reached its climax. Or the moe. show at the Bayou when I fell asleep. Unlike the moe. show at Wolf Trap when I danced all night, probably looking alot like Elaine Bennis, but I don’t care. At a midnight De La Soul show at the Ritz, I was the only white girl pressed up against the stage and I recited every lyric of Buddy along with Posdnuos and about fainted when Q-Tip joined them on stage for a guest appearance. Or when I saw Galactic at Wolf Trap for the first time, and didn’t yet know that it would hardly be the last.
I find myself at shows less often these days. Time is a factor, and not so many eager companions. I don’t mind heading out alone, but it’s not quite as fun, and sometimes probably not the safest idea for a single gal to be traipsing around certain parts of DC alone. So I kinda save it for when I really mean it, when I really like the band.
Like the Keane show. It was awesome. Keane blew my mind. Tom’s gorgeous voice and Tim’s keyboard genius and all their amazing energy had me hanging on every lyric and every note. I’m ready for the next show…